The Japanese House's 2024 live performances were marked by emotional depth, audience engagement, and a cohesive setlist that spanned their discography. Critics consistently praised Amber Bain's stage presence and the band's ability to connect with fans, creating memorable experiences across various venues.
Reported based on past experiences
Kiddo, looks like The Japanese House doesn't have any upcoming show in Los Angeles.
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At Danforth Music Hall in Toronto on December 7, 2023, The Japanese House's performance was described as spellbinding. The setlist included tracks from the new album, with Bain's vocals and the band's performance receiving high praise. The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby.'
The Japanese House's concert at Emo's in Austin on November 10, 2023, was described as a dreamscape. Opening with 'Sad to Breathe,' Bain's vocals and the band's performance captivated the audience. Highlights included 'Saw You in a Dream,' 'Boyhood,' and 'Friends,' with the encore featuring 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby.'
The Japanese House's concert at Newport Music Hall in Columbus, Ohio, on July 29, 2024, was filled with energy and emotional depth. Opening with 'Touching Yourself,' the band delivered a set that included 'Sad to Breathe,' 'Morning Pages,' and 'Boyhood.' The performance was noted for its seamless transitions and the band's ability to connect with the audience, creating a memorable experience.
At Outside Lands 2024, The Japanese House captivated the audience with relatable melodies and engaging stage presence. Amber Bain's performance of 'Morning Pages' was particularly noted for its emotional depth, accompanied by a saxophone solo. The set also included 'Boyhood,' 'Smiley Face,' and 'Sunshine Baby,' with the crowd enthusiastically participating throughout the show.
The Japanese House's concert at The Rooftop at Pier 17 in New York City on July 27, 2024, was a dreamy and transcendent experience. The setlist included 'Touching Yourself,' 'Sad to Breathe,' and 'Boyhood,' with Amber Bain sharing personal stories and engaging with the crowd. The concert was praised for its emotional depth and the band's ability to connect with the audience, creating a memorable experience.
The Japanese House's performance at Manchester's Albert Hall on May 16, 2024, was marked by stunning vocals and ethereal sounds. The setlist included fan favorites like 'Touching Yourself,' 'Sad To Breathe,' and 'Something Has To Change.' The encore featured 'Still,' an unreleased track titled 'Smiley Face,' and 'Sunshine Baby.' The concert was praised for its seamless transitions and the band's ability to connect with the audience.
In Boston, The Japanese House's sold-out show at Roadrunner on December 13, 2023, showcased the band's growth and connection with fans. The setlist included tracks from their latest album, 'In The End It Always Does,' as well as fan favorites from previous releases. The concert was praised for its emotional depth and the band's ability to engage the audience, leaving a lasting impression.
At Seattle's Neptune Theater on November 29, 2023, The Japanese House's performance was described as a magical experience. The setlist included fan favorites like 'Saw You in a Dream,' 'Boyhood,' 'Friends,' and 'Maybe You're the Reason.' The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby,' with Bain's live performance surpassing expectations.
In Glasgow on October 12, 2023, The Japanese House's performance at SWG3 was praised for its similarity to studio versions. The setlist included tracks from the new album, with Bain's vocals and the band's performance receiving high praise. The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby.'
The Japanese House's concert at Roadrunner in Boston on December 10, 2023, was described as a master class in emotional introspection. The setlist included tracks from the new album, with Bain's vocals and the band's performance receiving high praise. The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby.'
At Le Studio TD in Montreal on December 8, 2023, The Japanese House's performance was described as atmospheric. The setlist included tracks from the new album, with Bain's vocals and the band's performance receiving high praise. The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby.'
At The Greek Theatre in Los Angeles on August 15, 2024, The Japanese House delivered a captivating performance that resonated with the audience. The set included 'Touching Yourself,' 'Sad to Breathe,' and 'Boyhood,' with Amber Bain sharing personal stories and engaging with the crowd. The concert was praised for its emotional depth and the band's ability to connect with the audience, creating a memorable experience.
Amber Bain, known professionally as The Japanese House, delivered a captivating performance at San Francisco's Fillmore on November 21, 2023. Opening with 'Sad to Breathe' and 'Touching Yourself' from her latest album, 'In the End It Always Does,' Bain's vocals and minimalist stage setup created an intimate atmosphere. Highlights included 'Saw You in a Dream,' 'Boyhood,' 'Maybe You're the Reason,' and 'Dionne.' The encore featured 'One for Sorrow, Two for Joni Jones' and 'Sunshine Baby,' leaving the audience with a memorable experience.
The Japanese House's performance at the O2 Institute in Birmingham on May 8, 2024, was a testament to Amber Bain's stage presence and the band's cohesion. The setlist included 'Touching Yourself,' 'Sad to Breathe,' and 'Boyhood,' with the band delivering a performance that was both intimate and captivating. The concert was noted for its seamless transitions and the band's ability to connect with the audience, creating a memorable experience.
Experiencing The Japanese House live is akin to stepping into an ethereal soundscape meticulously woven by Amber Bain, the creative force behind the indie-pop project. Bain’s performances blend introspective lyrics with dreamy, layered synths and guitar textures, creating an atmosphere that’s both immersive and delicately hypnotic. Known for her intricate production and hauntingly vulnerable vocals, she often blurs the line between melancholic introspection and shimmering indie warmth, a duality fans notably appreciate in tracks like “Touching Yourself” and “Saw You in a Dream.” Her shows feel less like concerts and more like shared moments of emotional revelation—a fitting vibe considering Bain once cheekily admitted that as a child she believed houses in Japan truly held mystical powers (spoiler: they do not). Fans frequently reference her pivotal experience supporting The 1975, a gig which famously propelled her quiet charisma into indie-pop prominence, transforming intimate bedroom compositions into anthems celebrated by sold-out crowds. Each performance carries an unspoken acknowledgment of this journey—from childhood wonder to accidental icon status—reminding fans that the softest voices often resonate the loudest.
