In San Francisco, OPN's concert was a joint performance with Freeka Tet, blending electronic music with live puppetry and miniature sets. The collaboration created a transcendent energy, honoring each artist while creating a new, engaging union between the two. The performance was a synthesis of the future and past, using old techniques in new contexts, making the commentary salient and entertaining.
What are Oneohtrix Point Never concerts like, according to the press?
Oneohtrix Point Never's recent live performances have been marked by innovative visual elements and immersive soundscapes. Collaborations with visual artists like Freeka Tet and Nate Boyce have introduced live-puppeted miniature sets and 360º spatial audio, enhancing the multisensory experience. The setlists have seamlessly integrated new material from 'Again' with older tracks, creating a cohesive and experimental journey. Overall, these concerts have been intense, immersive, and challenging, leaving audiences in awe and deep engagement with the music.
Live Performance Press Reviews
Upcoming showsAt Brooklyn Paramount, OPN's show featured live-projected visuals from a puppet on stage, creating a miniature virtual reality. The setlist leaned heavily into tracks from 'Again,' with the performance culminating in an encore featuring cellist Mabe Fratti. The concert was a mesmerizing experience, leaving attendees in awe.
At Portland's Wonder Ballroom, OPN's set was characterized by complex compositions and a blend of new material from 'Again' with older tracks. The stage design featured an L-shaped setup with Lopatin's workstation and a miniature stage with animatronic figures, adding a unique visual dimension. The performance was intense and experimental, challenging listeners to engage deeply with the music.
In Chicago, OPN's performance at the Metro showcased a mesmerizing spectacle, blending tracks from 'Again' with classics like 'Inside World' and 'Boring Angel.' The visual elements included a live-puppeted miniature set, with Freeka Tet manipulating a small figure of Lopatin, projected onto a backdrop, creating a surreal experience. The concert was a mind-bending journey, leaving attendees in awe.
Oneohtrix Point Never's (OPN) recent live performances have been marked by innovative visual elements and immersive soundscapes. In Sydney, the concert featured 360º spatial audio and live real-time animations by Nate Boyce, creating a multisensory experience. The setlist included reworked tracks from OPN's discography, with Lopatin's dynamic stage presence and the integration of visual art enhancing the performance.
In Montreal, OPN's 'MYRIAD' tour featured live musicians, including Eli Kezler, Kelly Moran, and Aaron David, adding depth to the electronic compositions. The performance was accompanied by intricate visuals, creating a journey of introspection and escape. Despite minor delays, the concert was a euphoric experience, leaving the audience deeply fulfilled.
At The Neptune Theater in Seattle, OPN's show was a synesthetic experience, featuring live projections of a miniature Lopatin figure manipulated by Freeka Tet. The setlist included a mix of new material from 'Again' and older tracks, with the visual elements enhancing the immersive atmosphere. The performance was intense and experimental, challenging listeners to engage deeply with the music.
